Letting an appearance take its time.
Sometimes I feel something before I can say what it is. I know its presence before its name. The nucleus gathering among white, green and violet lets me stay close to this state: a form begins to exist while its edges remain unsettled.
I keep transparencies and soft transitions around it. A dense area can change the whole field without possessing it. Here I allow myself not to know at once. Before the outline lies a fertile time of intuition, when a feeling can be heard before it receives an explanation.
Colour and material
A dense core contrasts with expanses of white, green and violet. The change in density makes the centre perceptible without isolating it from the surrounding field.
